This CV was last updated March 2007
| Name | Kim Lieberman |
| Date of Birth | 26 July 1969 |
| Place of Birth | Johannesburg, South Africa |
| Contact details | See Contact page |
| 2001 | MA (Fine Art), Witwatersrand University (Dissertation entitled 'Alighiero e Boetti's Postal Art'; graduated with distinction in the practical component) |
| 1997 | B Tech Degree (Fine Art), Witwatersrand Technikon |
| 1995 | National Diploma in Fine Art from the Witwatersrand Technikon |
| 1991 | National Diploma in Graphic Design from the Witwatersrand Technikon |
| 2006 | Human Currents Esso Gallery, New York |
| 2006 | Human Currents Art on Paper Gallery, Johannesburg |
| 2004 | Current Esso Gallery, New York |
| 2003 | Every Interaction Interrupts the Future Goodman Gallery, Johannesburg |
| 2000 | Blood Relatives Camouflage Art. Culture. Politics, Johannesburg |
| 1997 | Pushing the Envelope The Mark Coetzee Fine Art Cabinet, Cape Town |
| 1996 | Notice Absence The Civic Gallery, Johannesburg |
| 2006 | Installation in hotel suite 603 at The Village Hotel Spier Wine Estate, Stellenbosch, South Africa |
| 2007 | Arte Fiera - Bologna, Italy Esso Gallery (List of artists include Alighiero e Boetti, Anselm Kiefer, Giulio Paolini, Carol Rama, Andy Warhol, Stanley Whitney) |
| 2006 | Navigating the Bookscape: Artists' Books and the Digital Interface curated by David Paton, Aardklop Arts Festival, Potchefstroom, FADA Gallery, University of Johannesburg |
| 2006 | Esso Gallery Celebrates its 10th Anniversary Esso Gallery, New York |
| 2005 | Alighiero Boetti Shaman/Showman (literary event and exhibition) Esso Gallery, New York |
| 2005 | The DAVID Exhibition curated by Lisa Essers, Michelangelo Towers, Johannesburg |
| 2005 | Leading Contemporary South African Artists Alliance Francaise, Johannesburg |
| 2003/4 | Integrating Cultures curated by Liza Essers, Bell-Roberts Gallery, Cape Town |
| 2003 | Small Things Bright and Beautiful by Artists Short and Tall Goodman Gallery, Johannesburg |
| 2003 | The Ampersand Foundation 1997-2003 Warren Siebrits Gallery, Johannesburg |
| 2002 | Landmark: Visions of land in Africa curated by Nessa Leibhammer for the Johannesburg World Summit, MTN Building, Johannesburg |
| 2001 | FNB Vita Art Award Market Theatre, Johannesburg |
| 2001 | CLEAN curated by Retha Erusmas, Millennium Gallery, Johannesburg |
| 2001 | FNB Vita Art Award NSA Gallery, Durban |
| 2001 | After the Diagram curated by Lauri Firstenberg and Douglas Cooper, White Box Gallery, New York |
| 2001 | switch on/off Oudtshoorn Festival, curated by Marcus Neustetter |
| 2000 | Translation/Seduction/Displacement White Box Gallery, New York |
| 1999 | Exchange Sandton Civic Gallery, Johannesburg |
| 1997 | Taking Stock Johannesburg Stock Exchange |
| 1996/7 | Hitch-Hiker, curated by Clive Kellner, Generator Art Space, Johannesburg |
| 1996 | Common and Uncommon Ground South African Group Exhibition, Atlanta curated by Steven Sack |
| 1995 | Exhibited informally and collaboratively (with Esmarie Meyer) on the Africus Biennale Electric Workshop, Newtown, Johannesburg |
| 2007 | As If I Was Your Mother - Awakening to an unconditional love Tricycle The Buddhist Review Spring Sarah Aceto |
| 2006 | Kim Lieberman, Robyn Sassen Art South Africa Vol. 5 Issue 2 Summer; pg 72 |
| 2006 | Stuk vir stuk pas alles in Kim Lieberman se legkaarte Johan Myburg Beeld?, 18 October |
| 2006 | Puzzling pieces Mail and Guardian 29 September to 5 October |
| 2005 | Audible Currents of Connectivity. Clive Kellner on Kim Lieberman, Art South Africa Vol. 3, Issue 3 Autumn; pgs 15-16 |
| 2004 | The Threads That Bind Us, Robyn Sassen Embroidery July/August |
| 2003 | Kim Lieberman 'Examining Every Interaction', Business Day Tuesday Aug 19, pg 15 |
| 2003 | Kim Lieberman, Sean O'Toole Artthrob http://www.artthrob.co.za/03may/artbio.html |
| 2003 | Kim Lieberman Goodman Gallery - Johannesburg, Kathryn Smith Art South Africa pgs. 53, 67 |
| 2003 | Return to Sender Artist Kim Lieberman on the colour red, travel and postal bric-a-brac, Sean O'Toole, Deco Art Elle Decoration Spring no.28 pg.43 |
| 2003 | Kim Lieberman Interrupts the Future, Sean O'Toole Artthrob http://www.artthrob.co.za/03apr/reviews/goodman.html |
| 2003 | Exploring identity as a woman, a mother and a Jew, Robyn Sassen SA Jewish Report, 11 April |
| 2001 | Clean: An Exhibition of De-saturated Contemporary Art, Brenda Atkinson Artthrob http://www.artthrob.co.za/01nov/reviews/millennium.html Issue #51 November |
| 2001 | She's Got Mail, Corinne Lamoral, Elle, August; pg. 153 |
| 2001 | Postal Art, Tanya Kovarsky, Elle Decoration, Autumn; pg. 44 |
| 2000 | Kim Lieberman: Combining sensual with conceptual, Robyn Sassen, Jewish Report, 24 November, pg. 8 |
| 2000 | Translation/Seduction/Displacement Mark D'Amato, African Arts, Autumn, pg. 84-87 |
| 2000 | Somber Show of Artists After Apartheid, Cate McQuaid, Boston Globe, 4 September; pg. C1 |
| 2000 | Translation/Seduction/Displacement, Holland Cotter, The New York Times, 24 March; E31 |
| 2000 | Translation/Seduction/Displacement, Horace Brockington, New York Arts, January |
| 1999 | 8 Jong Kunstenaars, Lucia Burger, De Kat, May |
| 1998 | Dispatch - Sophisticated fortune cookies, Justine Meagher, Epic - Culture Magazine, May 1998 |
| 1997 | The epistles of Lieberman, Donald Paul, Cape Times, 19 September |
| 1997 | Return to sender, Sue Williamson, Arthrob, September http://artthrob.co.za/september/listings.htm#kim |
| 1996 | 'Heaven and earth' Hazel Friedman, Mail and Guardian, March 29 - April 3 |
| 1996 | 'A seductive exhibition of aluminium, rubber and pretty little nuts and bolts', Kendell Geers, The Star Tonight, 9 March |
| 1995 | The First Johannesburg Biennale: Work in Progress, 'Crop Circle', pirate installation in Electric Workshop, Candice Breitz, Third Text, #31 Summer |
| 2006 | Human Currents Kim Lieberman text by Alex Dodd |
| 2005 | Kim Lieberman by Sarah Weakley, Monograph |
| 2005 | The David Exhibition Legacy; pg 16-17 |
| 2004 | Kim Lieberman - Current Ground Art and Culture, text by Clive Kellner, Kim Lieberman, published by Esso Gallery and Books; issue #10 |
| 2003/4 | Integrating Cultures LizaNicole Fine Art, text by Liza Essers |
| 2003 | The Ampersand Foundation 1997-2003 text by Warren Siebrits, Jack Ginsberg and Emma Bedford |
| 2003 | Kim Lieberman Every Interaction Interrupts the Future texts by RoseLee Goldberg and Rory Doepel |
| 2001 | CLEAN - Exhibition of Desaturated Contemporary Art (CD and printed catalogue) |
| 2001 | FNB Vita Arts Award, NSA Gallery, Durban; 8-9 |
| 2001 | KKNK 2001, Oudtshoorn Festival catalogue, exhibition 'switch on/off'; 13-14 |
| 2000 | Kim Lieberman Blood Relatives Camouflage Art. Culture. Politics, Johannesburg |
| 2000 | Translation/Seduction/Displacement edited by Lauri Firstenberg and John Peffer, Artist Press |
| 1997 | Pushing the Envelope Sponsored by Canon |
| 1996 | Uncommon and Common Ground South African Artist to Atlanta |
| 2002 | National Arts Council (NAC), Grant towards solo exhibition |
| 2000 | Earnest Oppenheimer Memorial Trust Fund, Art Bursary |
| 1999 | Wits University, Post Graduate Merit Award/Bursary (Masters) |
| 1999 | Earnest Oppenheimer Memorial Trust Fund, Art Bursary |
| 1998 | National Arts Council (NAC), Bursary |
| 1998 | Wits University, Post Graduate Merit Award/Bursary (Masters) |
| 1997 | CSD Scholarship |
| 1996 | Canon sponsored solo show and catalogue; Mark Coetzee Fine Art Cabinet, Cape Town |
| 1996 | Witwatersrand Technikon, Bursary for study |
| 1996 | Foundation for the Creative Arts, Bursary for study |
| 2006 | Liberty Life | 2005 | SAB (South African Breweries), Hollard |
| 2004 | The Israel Museum | 2003 | Biliton, Sasol, Johannesburg Art Gallery |
| 2000 | MTN Art Institute | 1996 | Gauteng Legislature |
| 2002 | Lectured part-time at the University of the Witwatersrand, Fine Art Department |
| 1998/99 | Lectured part-time, University of the Witwatersrand (Post-graduate students), Fine Art Department |
| 1998 | Lectured part-time at Witwatersrand Technikon, Fine Art Department |
| 1997 | Assisted with the installation of the 2nd Johannesburg Biennale |
| 1997 | Lectured part-time at Witwatersrand Technikon, Fine Art Department |
| 1996 | Lectured part-time at Witwatersrand Technikon, Fine Art Department |
| 1995 | Assisted in the assembling of visual (slide) documentation of the AfricusBiennale, Johannesburg, for the Slide Libraries of the Fine Art Departments of both The University of the Witwatersrand and The Witwatersrand Technikon |
| 2006 | New York |
| 2004 | Israel, New York |
| 2003 | New York |
| 2002 | Israel, Sinai; London, Documenta 11 in Kassel, Germany |
| 2001/02 | Maputu, Belin and Tofo, Mozambique |
| 2001 | New York, Bali |
| 2000 | New York, Thailand |
| 1999 | New York, on Ampersand Fellowship, Chicago |
| 1998/99 | Jerusalem, Israel |
| 1997 | Kassel, Germany - Documenta X, Munster, Germany, Art Project 1997, London |
| 1994/5/6 | Travel to African destinations i.e. Malawi, Swaziland, Madagascar, Venda and various other places in South Africa |
| 1993 | Extensive travel in Europe including Netherlands, London, Greece, Turkey,May-JanItaly, Spain, Portugal and Austria |
| 1992 | Travelled extensively in South America, including Brazil, Bolivia, Peru and Jan-Sept Ecuador, exploring the ritual, art and architecture of Ancient Indigenous peoples of the region. Participated in shamanic ritual ceremonies in Brazil and in the Peruvian Jungle region |
| 1988 | Travelled in the USA, Israel, Turkey and Greece, June-Nov |